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Participation: 80%-99%
Play Time: < 1:00
Unique Notes: 6 - 10
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edward.maurath
HWV5A2N11 - "Mà Rodrigo"
edward.maurath
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Rodrigo Treble 11 0 2 3 94%
Lute (Continuo) Treble 9 10 2 1 88%
Bass 18 17 4 3 88%
Violoncello (Continuo) Bass 9 0 2 3 88%
Cembalo (Continuo) Treble 3 0 0 1 31%
Bass 15 9 2 3 44%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
HWV8A0N7 - Ecco, sen vien - recitativo secco
edward.maurath
0:28 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 13 13 5 2 100%
Bass 8 1 3 3 100%
Violoncello Bass 7 0 2 3 100%
Apollo 8 0 3 3 86%
 
HWV5A3N17 - "Gran Donna, a cui oggi Castilglia deve" (Evaneo)
edward.maurath
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Evaneo 10 0 1 3 100%
Violoncello (Continuo) Bass 6 0 0 3 100%
Cembalo (Continuo) Treble 10 13 2 4 92%
Bass 10 6 1 5 92%
 
HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco
edward.maurath
0:42 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC Treble 14 14 2 4 100%
Bass 8 2 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC Treble 14 14 2 4 100%
Bass 8 2 1 2 100%
Vcl Bass 7 0 1 2 100%
Apollo 10 0 3 3 89%
 
HWV61A1N7 - Well may they laugh!
edward.maurath
0:58 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
ORG
LH		 Bass 11 6 3 2 93%
ORG
RH		 Treble 12 16 4 2 93%
Vcl Bass 8 0 2 2 93%
VNE Bass 8 0 2 2 93%
GOBRIAS Bass 9 0 0 3 47%
CYRUS
S		 9 0 3 4 40%
 
HWV1A2N15 "Durchlauchtigste, darf ich"
edward.maurath
0:26 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Consalvo Bass 8 0 1 4 100%
Continuo Bass 6 0 0 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Consalvo Bass 8 0 1 4 100%
Continuo Bass 6 0 0 4 100%
Harp Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
Harpsi Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
Organo Treble 13 11 1 4 88%
Bass 6 0 0 5 88%
 
HWV61A2N45 - Oh Sentence too severe!
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
Organ
LH		 Bass 15 8 5 2 83%
Vcl Bass 7 0 1 2 83%
Violone Bass 7 0 1 2 83%
 
HWV5A1N2 "petto col fulmine del cielo"
edward.maurath
0:06 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 10 10 2 2 88%
Bass 9 5 1 4 100%
Violoncello (Continuo) Bass 7 0 1 2 100%
Florinda 7 0 1 5 67%
 
HWV56N47 - Behold! I tell you a mystery!
edward.maurath
0:29 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 10 12 1 5 100%
Bass 12 10 2 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 10 12 1 5 100%
Bass 12 10 2 5 100%
Cello Continuo Bass 8 0 2 5 100%
Contrabass Continuo Bass 8 0 2 5 100%
Viola 5 0 0 5 100%
Vln
I		 Treble 7 0 1 5 100%
Vln
II		 Treble 6 0 1 5 100%
Basso Bass 10 0 1 3 88%
 
HWV56N42 - He that dwelleth in heaven shall laugh
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
Cello Bass 6 0 0 3 100%
Contrabass Bass 6 0 0 3 100%
Tenor 8 0 1 3 80%
 
HWV56N08 Messiah: Behold, a virgin shall conceive
edward.maurath
0:14 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
Hpsi
RH		 Treble 10 8 1 2 100%
Violone Bass 4 0 0 2 100%
Alto 7 0 1 4 86%
 
HWV56N49 - Then shall be brought to pass
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 15 22 1 7 100%
BC
RH		 Treble 16 29 2 7 100%
Cello Bass 6 0 1 3 100%
Contrabass Bass 6 0 1 3 100%
Alto 6 0 0 4 83%